the Balinese Pop Song which was Semiotic Heuristic study
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Abstract
Abstract.
This research was about Balinese pop song which was Semiotic Heuristic study. The research underlined was the fact that occurred in the Balinese popular songs as a part of the literary work featured new vocabularies as well as old vocabularies modification and also a combination of vocabularies from other languages such as Indonesian and English, considered as the "Deviate" composition from the rules of standard grammar and literary conventions. The purpose of this research was to describe the phenomenon of linguistic structure in Balinese popular song texts and the philosophical meaning of the texts Balinese popular song based on semiotic-heuristic analysis. To be able to describe these purposes, semiotic theory and structuralism were used. This research used descriptive qualitative method. The data source was derived from two texts of Balinese popular songs entitled “Suksma Hyang Widhi” by Dek Ulik” and "Bungan Sandat" by AA Made Cakra. Both of these popular songs used different styles. The song of "Bungan Sandat" mostly used words based on the rules of language and literature that was, poetic. While the song titled "Suksma Hyang Widhi” mostly used a lot of ordinary words such as language used in daily life. There appeared some deviate words found out of the rules of grammar or literary conventions; however there were also words appropriately right based on the rules of language and literature, namely poetic, romantic, by symbolic and philosophical language styles. Based on the result analysis of those two songs heuristically towards the two texts of Balinese Pop songs were found the existence of violations of linguistic rules both grammatically, syntagmatically, paradigmatically, semantically and composition of these two Balinese popular songs.
Keywords: the text of balinese popular song, semiotic-heuristi, philosophical meaning
This research was about Balinese pop song which was Semiotic Heuristic study. The research underlined was the fact that occurred in the Balinese popular songs as a part of the literary work featured new vocabularies as well as old vocabularies modification and also a combination of vocabularies from other languages such as Indonesian and English, considered as the "Deviate" composition from the rules of standard grammar and literary conventions. The purpose of this research was to describe the phenomenon of linguistic structure in Balinese popular song texts and the philosophical meaning of the texts Balinese popular song based on semiotic-heuristic analysis. To be able to describe these purposes, semiotic theory and structuralism were used. This research used descriptive qualitative method. The data source was derived from two texts of Balinese popular songs entitled “Suksma Hyang Widhi” by Dek Ulik” and "Bungan Sandat" by AA Made Cakra. Both of these popular songs used different styles. The song of "Bungan Sandat" mostly used words based on the rules of language and literature that was, poetic. While the song titled "Suksma Hyang Widhi” mostly used a lot of ordinary words such as language used in daily life. There appeared some deviate words found out of the rules of grammar or literary conventions; however there were also words appropriately right based on the rules of language and literature, namely poetic, romantic, by symbolic and philosophical language styles. Based on the result analysis of those two songs heuristically towards the two texts of Balinese Pop songs were found the existence of violations of linguistic rules both grammatically, syntagmatically, paradigmatically, semantically and composition of these two Balinese popular songs.
Keywords: the text of balinese popular song, semiotic-heuristi, philosophical meaning
Article Details
How to Cite
Ni Wayan Sariani, & Rasna, I. W. (2020). the Balinese Pop Song which was Semiotic Heuristic study. Widya Accarya, 11(2), 120-129. https://doi.org/10.46650/wa.11.2.878.120-129
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Bagus, L. 1996. Kamus Filsafat. Jakarta: Pustaka Gramedia
Hoed, B. 2008. Semiotik dan Dinamika Sosial Budaya. Depok: FIB UI.
Hosemann, Aimee J. 2019. Constructing a Decentered Archival Method: AILLA Recordings and Wanano/Kotiria Kaya Basa ‘Sad Songs’. Department of Anthropology Southern Illinois University Carbondale [email protected]. Journal of Linguistic Anthropology, Vol. 29, Issue 2, pp. 188–194, ISSN 1055-1360, EISSN 1548-1395. © 2019 American Anthropological Association. DOI: 10.1111/jola.12226.
Keller, Sandra. 2019. The Semiotics of Gallo Dictionaries: Indexing Modern Localness and Distributing Epistemic Authority in Minority Language Advocacy. Department of Languages, Literatures and Cultures Illinois State University [email protected]. Journal of Linguistic Anthropology, Vol. 29, Issue 1, pp. 95–118, ISSN 1055-1360, EISSN 1548-1395. © 2019 American Anthropological Association. DOI: 10.1111/jola.12212.
Language as a Symbolic System (J.P.B. Allen)
Pradopo, R D dkk. (ed). 2003. Metodologi Penelitian Sastra. (3rd ed). Yogykarta: Hanindita
Rachmat, A. 2003. “Analisis Koherensi dalam Lirik Lagu Pop Indonesia”, dalam Jurnal/Majalah. Bandung: Maranatha
Swarniti, N. W., & Yuniari, N. M. (2019). Keberadaan Leksikon Pohon Langka di Denpasar: Studi Ekolinguistik. Seminar Nasional INOBALI 2019 Inovasi Baru Dalam Penelitian Sains, Teknologi Dan Humaniora, 405–411. https://eproceeding.undwi.ac.id/index.php/inobali/article/view/180
Wayan Swarniti, N. (2019). The Translation Procedures of Bible Translation. 5(2), 187–196. https://doi.org/10.22225/jr.5.2.1277.187-196
Williams, Cara Penry. 2019. Appeals to Semiotic Registers in Ethno-Metapragmatic Accounts of Variation. University of Derby [email protected]. Journal of Linguistic Anthropology, Vol. 29, Issue 3, pp. 294–313, ISSN 1055-1360, EISSN 1548-1395. © 2019 American Anthropological Association. DOI: 10.1111/jola.12213.